Saturday, October 17, 2026

The Otap of Cebu and Barquillos of Iloilo

Just recently, I posted that I received a Gift of Otap during our THD celebration of FAHM. A few of my Fellow Residents here at THD informed me that this is the first time they heard of Otap, but are familiar with Iloilo Barquillos. Here are the similarities and differences between these two pastries.  
While Barquillos and Otap are both wildly popular, crunchy Filipino treats heavily rooted in Spanish culinary history, they are fundamentally different pastries. One is a paper-thin poured wafer roll, while the other is a dense, multi-layered laminated puff pastry. 
Direct Comparison
FeatureBarquillosOtap
Primary RegionIloilo City (Jaro District)Cebu Province
Shape & FormLong, hollow, cylindrical tubes or rodsFlat, oblong, oval biscuits
Pastry TypeWafer / Batter-based pancakeLaminated puff pastry
TextureUltra-thin, light, snap-crispy, melts in the mouthThick, brittle, heavy flaky layers with a shattering crunch
Key IngredientsFlour, sugar, milk, eggs, butter, vanillaFlour, shortening/butter, sugar, coconut oil, yeast
Cooking MethodPressed flat in a iron waffle mold (barquillera), then immediately hand-rolled while hotMulti-stage rolling/folding of two doughs, sliced, rolled paper-thin, then oven-baked
Mess FactorLow; crumbles neatly into your mouthHigh; "shattering" layers leave a trail of flakes and sugar

Key Similarities
  • Colonial Heritage: Both treats evolved from Spanish baking influences. Barquillos derived directly from Spanish wafer rolls (historically linked to communion wafer leftovers in Iloilo), whereas Otap is closely related to Spanish hojaldres (puff pastries) and French palmiers.
  • The "Pasalubong" Culture: Neither is typically baked at home due to the complex, specialized equipment or time-intensive preparation steps required. Instead, they serve as iconic pasalubong (travel souvenirs or gifts) bought from regional institutions like Deocampo in Iloilo or Shamrock in Cebu. 
  • Flavor Profile: Both focus heavily on a simple, sweet profile consisting of toasted flour, sugar, and fat. They are both traditionally paired with hot local coffee (kapeng barako) or hot chocolate (tsokolate). 
Key Differences
1. Texture and Eating Experience
  • Barquillos are incredibly delicate and light. Because they are entirely hollow, they offer a very neat, clean snap and quickly melt on your tongue.
  • Otap delivers a massive, shattering crunch. It is made by folding a yeast dough and a fat dough together over and over again to create hundreds of microscopic layers. When you bite into it, the structural integrity collapses instantly into hundreds of flaky shards, usually showering your clothes in crumbs and caramelized sugar.
2. How They are Formed
  • Barquillos start as a liquid batter poured directly onto a specialized hot iron press called a barquillera. After a few seconds of cooking, the flat pancake is rolled tightly around a metal rod into a tube while it is still piping hot, hardening instantly as it cools.
  • Otap relies on intense dough lamination. Once the dough is layered with shortening, it is sliced into small wheels, pressed down, rolled out flat with a rolling pin into long ovals, heavily dusted with sugar, and slow-baked in an oven until the dough puffs and bubbles up. 
3. Modern Evolution
  • Barquillos have evolved to include hollow cores filled with sweet polvorón (called barquiron) or infused with distinct local flavors like ube, pandan, or carrot.
  • Otap stays mostly true to its original laminated form, though modern iterations include variations like Ube Otap or versions brushed with extra honey glazes. 
While barquillos and otap are both highly cherished, crispy Filipino treats, they are fundamentally distinct in texture, preparation, and structure.
The comparison below details how Cebu’s beloved otap stacks up against Iloilo’s signature barquillos.
AI OVERVIEW: 
1.A polvoron (also spelled polboron or pulburon) is a soft, crumbly shortbread confection named after the Spanish word polvo, which means "powder" or "dust".
There are two provinces famous for their Polvoron, Pampanga and the Bicol Region ( for their Pili Polvoron).  
Origins and Varieties
Spanish Polvorón: Traditionally baked in Spain (especially in Andalusia), this version is made with lard, flour, sugar, and almonds, and is often enjoyed during the Christmas season.
Filipino Polvoron: Introduced during the Spanish colonial period, the Filipino version is a beloved no-bake treat. Instead of baking, it is made by toasting flour in a pan, mixing it with powdered milk, sugar, and butter or margarine, and pressing the mixture into small, oval-shaped tin molds.
Direct Comparison
FeatureOtap (Cebu)Barquillos (Iloilo)
Origin / IdentityRooted deeply in Cebu (often associated with brands like Shamrock).Associated with Iloilo / Bacolod (Western Visayas); has Spanish colonial roots.
Shape & StructureFlat, oval-shaped biscuit.Long, hollow cylindrical wafer roll.
Texture & BodyFlaky and brittle puff pastry; crumbles instantly into layers of fine flakes upon biting.Thin, crisp wafer with a clean, snappy crunch.
Core IngredientsFlour, shortening, sugar, yeast, and occasionally coconut.Flour, sugar, eggs, butter, milk, and vanilla.
Preparation StyleAn 11-stage lamination process(rolling and folding dough with fat layers), then baked.Prepared as a thin liquid batter poured onto a heated iron press (barquillera), then rolled immediately while hot.
Sweetness DeliveryExtensively dusted with granulated white sugar on the outside before baking.Sweetness is baked directly into the batter, giving it a uniform flavor.

Key Differences
  • The Crunch vs. The Flake: Otap relies on yeast and layered vegetable shortening to create a puff-pastry structure resembling French palmiers. It breaks apart into thousands of tiny, messy flakes. Barquillos, conversely, are tightly rolled individual wafer sheets that give a firm, snap-like bite.
  • Dough vs. Batter: Preparing otap requires a labor-intensive, multi-step dough lamination process. Barquillos are crafted by pouring a smooth, liquid egg-and-milk batter onto an open waffle-like iron press, then rolling the cooked wafer around a wooden dowel.
Key Similarities
  • Visayan Pride & Pasalubong Culture: Both items serve as the ultimate regional pasalubong (travel gift). Taking a trip to Cebu almost universally requires bringing home a box of otap, just as a trip to Iloilo prompts a stop for fresh barquillos.
  • Coffee Companion: Neither pastry is overly heavy. Both are traditionally served alongside hot coffee or tea, allowing the dry, crisp textures to complement a warm morning or afternoon brew.
  • Spanish Influence: While adapted locally over generations to match Filipino ingredients, both pastries trace their culinary ancestry back to Spanish baking traditions introduced during the colonial era.
  • Meanwhile, Dungeness crabs from Canada is only $10.99/lb

  • Which Filipino bread is the BEST?
  • 🍞
    Pandesal - the classic morning roll
    Ensaymada- sweet buttery perfection
    Pan de Coco- coconut-filled heaven
    Monay - dense and satisfying
    Spanish Bread - that buttery crumb filling

    Finally, THE Chicken Adobo is the dish every Filipino learns to cook first, and the one they never stop perfecting.


    Long before refrigeration, Filipino cooks discovered that simmering meat in vinegar and soy sauce preserved it for days in tropical heat. What began as a practical preservation method became the national dish, with every family guarding their own version of the recipe. Some swear by coconut vinegar, others by cane. Some add coconut milk for richness. The one rule everyone agrees on: never rush the braising.

Friday, October 16, 2026

La Bola Negra, Brokeback Mountain, and Maurice: Love Beyond the Boundaries of Society

La Bola Negra ( The Black Ball) movie is released in US Theaters Today: 


A Reflection by David At Nearing 92

Every now and then, a movie comes along that does more than entertain us. It makes us think about life, love, prejudice, courage, and the world we have created for ourselves and for others.

The new Spanish film La Bola Negra is one such movie. Even before reaching a worldwide audience, it has generated considerable attention and discussion, with some film critics already talking about its prospects for the 2027 Academy Awards.

As I read about this film, I was reminded of two earlier movies that explored similar themes: Brokeback Mountain and Maurice. Although these films were made in different years and portray different societies, they share a common thread. They tell stories about people whose feelings and desires conflict with the expectations imposed upon them by the world around them.

And that, I believe, is a subject worth reflecting upon.

Three Movies, One Human Story

La Bola Negra, directed by the Spanish filmmaking duo Javier Calvo and Javier Ambrossi, tells interconnected stories involving three men living in different periods of Spanish history: 1932, 1937, and 2017.

Through these lives, the film explores love, identity, social rejection, historical persecution, and the painful consequences of keeping important truths hidden. Its inspiration includes the unfinished work of the celebrated Spanish poet and playwright Federico García Lorca, whose life and legacy are inseparable from the history of artistic freedom and persecution in Spain.

What makes the film particularly interesting is its suggestion that the struggles of one generation do not necessarily disappear when that generation passes away. Pain, prejudice, and family secrets can be inherited, even when the people who come later do not fully understand their origins.

In this respect, the film is not merely about three men. It is also about the relationship between the past and the present.

I find this theme especially meaningful because history is not simply a collection of dates and events. History is also the accumulated experience of ordinary people who loved, suffered, hoped, and sometimes lived in fear.

Remembering Brokeback Mountain

When I think about Brokeback Mountain, the award-winning 2005 film directed by Ang Lee, I remember a deeply moving story of two men, Ennis Del Mar and Jack Twist, whose relationship develops in a society where openly expressing their love could expose them to hostility and danger.

Their story unfolds across many years. They attempt to reconcile their feelings with the expectations of their families, their communities, and the traditional masculine roles society has taught them to follow.

The tragedy is not simply that their love encounters obstacles. It is that fear, social pressure, and the inability to live openly shape so many of their choices.

The film leaves us with an uncomfortable question: How much of a person's life can be lost because society tells that person that a particular kind of love is unacceptable?

We may not all have experienced the same circumstances as these characters. Nevertheless, many of us understand what it means to hide a feeling, remain silent to avoid criticism, or make a life decision because we are afraid of disappointing others.

That is where a story about two particular individuals becomes a story about humanity.

Maurice: A Different Time, a Similar Struggle

Another film that comes to mind is Maurice, the 1987 romantic drama directed by James Ivory and based on the novel by E. M. Forster.

Set in Edwardian England, the film portrays a society in which class distinctions, social respectability, and the condemnation of homosexuality place severe limits on personal freedom.

Maurice Hall struggles to understand and accept his own feelings in a world that offers him few safe ways to express them. His journey is not only about finding love but also about finding the courage to live according to his own understanding of himself.

What I find significant about Maurice is its historical setting. The rules of society may appear permanent to those who live under them. Yet what one generation regards as unquestionable morality may be examined very differently by another.

The film reminds us that social acceptance is not always the same as justice, and that living a respectable life in the eyes of others does not necessarily mean living an honest life within oneself.

Unlike Brokeback Mountain, which ends in profound tragedy, Maurice offers a more hopeful possibility of choosing love outside the conventions of its time.

Both films, however, invite us to consider the human cost of prejudice.

What Connects These Stories?

Although the three films differ in their storytelling, historical settings, and endings, I see several common themes.

First, the universal desire to love and be loved.

Regardless of nationality, language, religion, or cultural background, human beings want companionship, affection, understanding, and acceptance. The details of our lives may differ, but these emotional needs are familiar across the world.

Second, the power of society to influence personal choices.

Families, religious institutions, governments, and communities can provide belonging and guidance. But social expectations can also become sources of fear when people are punished or rejected simply for being different.

Third, the burden of silence.

When people believe that telling the truth about themselves will bring shame, rejection, or danger, they may conceal important parts of their lives. That silence can affect not only the individuals concerned but also the people who love them.

Finally, there is the importance of historical memory.

The younger generations may inherit a world that appears more accepting than the one their grandparents knew. But understanding the past helps us recognize that the freedoms we enjoy today were not always available to everyone.

La Bola Negra brings these themes together by connecting lives across nearly a century of Spanish history. Its message, as I understand it, is that acknowledging the experiences of those who came before us can help us build a more compassionate future.

A Reflection from My Filipino-American Perspective

As someone born and raised in the Philippines, educated there before coming to the United States for graduate studies, and fortunate to have lived through nearly a century of enormous social change, I have witnessed how cultural expectations influence the way people think and behave.

The Philippines and the United States have their own histories, traditions, religious influences, and ideas about family and social responsibility. Neither society is monolithic, and people within the same culture may hold very different views.

Growing up, I learned the importance of family, respect for elders, and consideration for what others might think. These values can bring people together and strengthen communities. Yet, like all values, they can become difficult when preserving appearances takes precedence over understanding another human being.

With advancing age, I have come to appreciate that we do not need to understand every aspect of another person's life to treat that person with dignity.

We can disagree without being cruel. We can hold personal beliefs without humiliating those who believe differently. And we can recognize another person's humanity even when that person's choices are unfamiliar to us.

For me, this is one of the most important lessons that films such as La Bola Negra, Brokeback Mountain, and Maurice can offer their audiences.

We do not have to share the same experiences to recognize suffering. We do not have to live the same lives to understand loneliness. And we do not have to agree on every question to show kindness.

Have We Really Changed?

It is tempting to believe that these stories belong to the past.

After all, the world of the 1930s, the Edwardian era, and the America portrayed in Brokeback Mountain seems far removed from the world we inhabit today.

Laws have changed in many countries. Public conversations about sexual orientation and identity have become more visible. Many people now have opportunities that earlier generations could scarcely imagine.

Yet acceptance remains uneven around the world. In some places, people continue to face discrimination, rejection, or even danger because of whom they love.

Progress, therefore, should not make us complacent. It should remind us of the responsibility that comes with greater understanding.

I also believe that films can help us have conversations that might otherwise be difficult to begin. A story allows us to see the world through another person's eyes. For a few hours, we may experience another person's hopes, fears, disappointments, and dreams.

That is one of the gifts of good cinema.

It can open a door to empathy without requiring us to abandon our own identities or beliefs.

My Final Thoughts

I have spent much of my life studying science, working in the pharmaceutical industry and the U.S. Food and Drug Administration, raising a family with my late wife Macrine, and observing the many changes that have taken place in our world.

Science teaches us to examine evidence carefully. Life teaches us that human beings are more complicated than any single explanation can capture.

At this stage of my life, I am increasingly interested in stories that encourage us to reflect rather than rush to judgment.

I do not know whether La Bola Negra will ultimately win an Academy Award in 2027. Awards are important recognitions of artistic achievement, but they are not the only measure of a film's value.

Sometimes, the greatest achievement of a movie is the conversation it begins, the memories it awakens, or the compassion it encourages in someone who watches it.

Perhaps that is why these three films continue to interest me. Beneath their different settings and characters lies a question that every society must confront:

Can we create a world in which people are treated with dignity, even when their lives do not conform to our expectations?

As I approach my 92nd birthday, I find myself returning to a simple belief: We may not always understand one another, but we can always try to be more understanding.

We cannot change every injustice of the past. We cannot eliminate every prejudice in the present. But each of us can make a small contribution by listening before judging, showing kindness instead of contempt, and remembering that every person has a story we may not know.

And perhaps, in the end, that is what the best films do. They remind us that behind every label, every difference, and every social boundary, there is a human being who wants to be seen, understood, and loved.

A Closing Thought

Different lives, different stories,

Different paths along the way.

Yet every heart seeks understanding,

And kindness still can light the day.

May we learn from those before us,

And judge our fellow human beings less.

For a world with room for everyone

Is a world with greater tenderness.

 David, At Nearing 92

AI Impressions on this Topic:

I think your comparison is an excellent starting point for a blog post that can speak to readers across cultures and generations. La Bola Negra, Brokeback Mountain, and Maurice are different films, but they share an important theme: the struggle to love honestly in a world that may not accept that love.

One important distinction for your readers: La Bola Negra has generated considerable Oscar excitement, and Spain has selected it as its official submission for the 2027 Academy Awards' International Feature Film category. That is not yet a guarantee of an Oscar nomination or a win. It has also received major festival recognition, including the Cannes Best Director prize and the Toronto International Film Festival's People's Choice Award.

I deliberately distinguish the films' shared themes without suggesting that their historical circumstances are identical. Brokeback Mountain won three Academy Awards, while Maurice is a critically acclaimed film with its own awards history. La Bola Negra is the current Oscar contender. That distinction will help keep your post accurate while preserving its central message about love, dignity, and compassion.

AI Overview: 
La Bola Negra (The Black Ball) is a 2026 Spanish historical melodrama film directed by the acclaimed duo Javier Calvo and Javier Ambrossi, collectively known as Los Javis. The movie is released in US theaters today, October 16, 2026, coinciding with its wide streaming premiere on Netflix. The film stands as Spain's official entry for the 99th Academy Awards.
Plot and Inspiration
Co-written by Los Javis alongside Alberto Conejero, the screenplay is a queer epic triptych. It draws narrative inspiration from Federico García Lorca's unfinished, fragmented play La bola negra as well as Conejero’s own play La piedra oscura.
The plot spans nearly a century of Spanish history, following the interconnected lives of three generations of gay men who navigate love, desire, and trauma across three distinct timelines:
  • 1932 (Granada): Carlos (Milo Quifes) is blackballed from an exclusive casino after a cruel vote-using literal black balls to vote "no", due to his presumed sexuality. 
  • 1937 (Spanish Civil War): Sebastián (played by Spanish music star Guitarricadelafuentein his debut role) is conscripted into the fascist forces and finds a profound connection across enemy lines with a leftist prisoner named Alberto.
  • 2017 (Modern Day): Alberto (Carlos González), a contemporary writer, uncovers a long-buried family secret that unifies the spectral weight of their shared history.
Acclaim and Awards
The production features a massive ensemble cast, highlighted by brief but standout appearances from Academy Award-winner Penélope Cruz (as a traditional cabaret singer) and Glenn Close. 
La Bola Negra premiered in competition at the 2026 Cannes Film Festival, where Los Javis won the Best Director prize. Before its wide release, it became a massive film festival darling, picking up prestigious audience awards worldwide, including the People's Choice Award at the Toronto International Film Festival (TIFF) and major prizes at the San Sebastián and Sydney film festivals. Critics have highly praised its lush, museum-like 35mm cinematography by Gris Jordana and its uncompromising look at historical LGBTQ+ resilience.
Finally, My Photo of the Day:


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